"Gender Bending and Gender Blending with Bryan Ferry and Roy Wood" is a chapter from Performing Glam Rock: Gender and Theatricality in Popular Music. This book highlights the importance of gender in the glam rock genre. In reference to David Bowie, "The
performative experiments that contributed to the development of Ziggy Stardust
centered on two issues: transvestism and the development of explicitly
artificial performance personae." Auslander, P (2006). Ziggy Stardust was David Bowie's performance alter ego who “Appeared on
television wearing a frock and playing acoustic guitar.” Bowie revolutionised the genre with his rock performance based in theatrical characterisation.
"Bowie and his guiatarist, Ronson became more and more explicitly sexual, with gestures that evoked both male camaraderie and a more sexualised homosociality. Bowie and his guiatarist, Ronson became more and more explicitly sexual - during a concert in 1972, Bowie famously simulated fellatio on Ronson and this routine and variations of it became staples of Ziggy Stardust concerts." Auslander, P (2006). The explicitness and sexualisation was new and it quickly became popular as well as gaining a large gay/trans audience.
Of course, it wasn't all about sexual identity. Many performers create a persona by whom they perfrom for a variety of reasons. "I can hide behind a role on satge and really enjoy performing." - Kate Bush {(quoted in Sutcliffe 2003, 77) Lenig, S. (2010)}
No comments:
Post a Comment