Before the
60's, music in the UK was, for want of a better word, polite. Songs were simple
and mainly revolved around a theme of love or joy. There wasn't any
experimenting or pushing of the boundaries until the era of sex, drugs and rock
n roll – the 60’s. The 60’s brought about counterculture and rebellion. All
that jazz became well…outdated. Artists like The Doors, The Rolling Stones and
Bob Dylan inspired people to stand up for something and so, people did and
society changed.
New and
exciting genres were born, ‘Rock’ was given sub-genre’s, hard rock or soft
rock, psychedelic rock or progressive rock. Soul and Motown music became mainstream thanks
to artists like Aretha Franklin, Stevie Wonder and The
Supremes. Genres of music influenced from 50's genres, but experimented with.
The
Beatles were among the bands who experimented with the technology of the era. They used plates and echo chambers at
Abbey Road where they also requested to use double tracking in
recording, meaning that the sound could be recorded on two tracks and then one edited. They
were the first band to have ever done this. They also used reverb on tracks, giving
their songs a sense of realism. The Beatles album ‘Sgt. Pepper’s Lonely Hearts
Club Band’ was the biggest selling album of the decade, 'Time' magazine called it "a historic departure in the progression of music". In fact within the top
20 best selling records of the 60’s, The Beatles produced ten. Taking second
place was the soundtrack to the 60’s hit film ‘The Sound of Music’ songs from
which still feature in many popular adverts and on modern day artist’s albums
today. For example, 'My Favourite Things' on the Skoda advert and 'So Long, Farewell' on the Natwest ad.
The Beatles also experimented with instruments, ‘Within
You Without You’ uses a range of Indian instruments including a sitar, a tabla,
a tambura and a dilruba as well as a string section. ‘When I’m 64’ features 3
clarinets and a range of organs, including an electric on and a harmonium.
‘A Day In the Life’ by The Beatles, uses a full
orchestra for the interlude sections which fuses together the two disparate
sections of the song, which initially started out as two different songs – one by
John Lennon and one by Paul McCartney. For no reason other than ‘because the
could’, the song ends on a sustained C chord played on four different pianos
and lasting 42 seconds.
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